
Glenda Jackson
Jackson won the Academy Award for Best Actress twice, for the romance films Women in Love (1969) and A Touch of Class (1973), but she did not appear in person to collect either due to work commitments. She also won the BAFTA Award for Best Actress in a Leading Role for Sunday Bloody Sunday (1971). Her other notable films include Mary, Queen of Scots (1971), Hedda (1975), The Incredible Sarah (1976), House Calls (1978), Stevie (1978) and Hopscotch (1980). She won two Primetime Emmy Awards for her portrayal of Queen Elizabeth I in the BBC series Elizabeth R (1971). She received both the BAFTA Award and International Emmy Award for her performance in Elizabeth Is Missing (2019).
She studied at the Royal Academy of Dramatic Art (RADA) and made her Broadway theatre debut in Marat/Sade (1966). She received five Laurence Olivier Award nominations for her West End theatre roles in Stevie (1977), Antony and Cleopatra (1979), Rose (1980), Strange Interlude (1984) and King Lear (2016), the last being her first role after a 25-year absence from acting, which she reprised on Broadway in 2019. On Broadway, she won the Tony Award for Best Actress in a Play for her role in the revival of Edward Albee's Three Tall Women (2018) and received nominations for her work in Marat/Sade (1966), Rose (1981), Strange Interlude (1985), and Macbeth (1988).
Jackson transitioned her career to politics from 1992 to 2015, and was elected MP for Hampstead and Highgate at the 1992 general election. She was a junior transport minister from 1997 to 1999 during the first Blair ministry; she later became critical of Tony Blair. After constituency boundary changes, she represented Hampstead and Kilburn from 2010. At the 2010 general election, her majority of 42 votes, confirmed after a recount, was the narrowest margin of victory in Great Britain. Jackson stood down at the 2015 general election and returned to acting.
Biography from the Wikipedia article Glenda Jackson. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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Furniture restorers, horologists, metal workers, ceramicists, upholsterers and all manner of skilled craftsmen and women have been brought together to work in one extraordinary space, restoring much-loved possessions to their former glory.
Many of these items have incredible stories behind them and a unique place in history: from an accordion played in the Blitz by a woman who is now in her 90s, to a beautifully crafted clock made by a father who was completely blind; a Pinball machine that is currently being used as a kitchen counter, and a Davenport desk with its trademark fake drawers which fooled burglars - and their crowbar.
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In Watson a year after the death of his friend and partner Sherlock Holmes at the hands of Moriarty, Dr. John Watson resumes his medical career as the head of a clinic dedicated to treating rare disorders. Watson's old life isn't done with him, though — Moriarty and Watson are set to write their own chapter of a story that has fascinated audiences for more than a century. Watson is a medical show with a strong investigative spine, featuring a modern version of one of history's greatest detectives as he turns his attention from solving crimes to addressing the greatest mystery of all: illness, and the ways it disrupts our lives.

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In this exciting new world that is on the brink of the modern age, will Marian follow the established rules of society, or forge her own path?

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