Lígia Cortez
As an actress, she has worked across theatre, cinema, and television with national and international directors such as Robert Wilson (director), Ron Daniels (theatre), José Celso Martinez Corrêa, Antunes Filho, David Leddy, Fauzi Arap, Roberto Lage, Hamilton Vaz Pereira, Flávio Rangel e Sérgio Bianchi. From 1981 to 1984, she was a member of the theatre company Macunaíma, directed by Antunes Filho.
Lígia Cortez has organized educational projects in the arts for marginalized communities in the State of São Paulo. She worked on the implementation of the theatre arm of Associação Arte Despertar [1] (Art Awakening Association) and other social projects such as SOS Aldeia, Favela Paraisópolis and IOP, Fundação Gol de Letra; Projeto Virando o Jogo.
She is the director of [2] Célia Helena Centro de Artes e Educação (Célia Helena Arts and Education Centre) and the founder director of Casa do Teatro.
Biography from the Wikipedia article Lígia Cortez. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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The Gilded Age
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Against this backdrop of change, the story begins in 1882 — introducing young Marian Brook, the orphaned daughter of a Union general, who moves into the New York City home of her thoroughly old money aunts Agnes van Rhijn and Ada Brook. Accompanied by Peggy Scott, an accomplished African-American woman, Marian inadvertently becomes enmeshed in a social war between one of her aunts, a scion of the old money set, and her stupendously rich neighbors, a ruthless railroad tycoon and his ambitious wife, George and Bertha Russell.
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When a rising high school football player from South Central L.A. is recruited to play for Beverly Hills High, the wins, losses and struggles of two families from vastly different worlds — Compton and Beverly Hills — begin to collide. Inspired by the life of pro football player Spencer Paysinger.
