
Geoffrey Sumner
His parents were Edmund and Kathleen Marion (Brook). He married Gwen Williams Roberts in 1967 after the death of his first wife, Mary Richards with whom he had three daughters.
In 1957 he played Major Upshot-Bagley in the first series of The Army Game, broadcast by ITV Granada. He reprised the role in the 1958 film I Only Arsked!, based on the TV series.
A sample of "Train Sequence" ("This is a journey into sound") from the 1958 LP A Journey Into Stereo Sound was used by different artists like Eric B. & Rakim in their track "Paid in Full", Bomb the Bass ("Beat Dis"), Public Enemy ("Welcome to the Terrordome"), Anthrax ("Potters Field"), Handsome Boy Modeling School ("Holy Calamity (Bear Witness II)"), Luke Vibert ("Ambalek"), Gotye ("A Distinctive Sound") and Jauz x Marshmello ("Magic").
In September 1968 Sumner played Sir Lancelot Spratt in the BBC radio series of Doctor in the House, alongside Richard Briers.
Biography from the Wikipedia article Geoffrey Sumner. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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The Ultimate Fighter
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The Ministry of Time
The Ministry of Time, a newly established government department, is gathering ‘expats' from across history in an experiment to test the viability of time-travel. Commander Graham Gore (an officer on Sir John Franklin's doomed 1845 Arctic expedition) is one such figure rescued from certain death – alongside an army captain from the fields of the Somme, a plague victim from the 1600s, a widow from revolutionary France, and a soldier from the seventeenth century.
The expats are placed with 21st century liaisons, known as 'bridges', in unlikely flatshares. Gore has to learn about contemporary life from scratch: from air travel to industrial warfare, from feminism to Spotify, from cinema to indoor plumbing; and he must negotiate cohabiting with the ambitious modern woman who works as his bridge. After an awkward beginning, the pair start to find pleasure and comfort in each other's company, developing a relationship that is simultaneously tender, intense and profoundly unprofessional; and the expats, adrift in a new era, form friendships that ground and support them in the lonely 21st century, where they have outlived everyone they ever knew and loved.
When a deeper conspiracy at the Ministry begins to reveal itself, the bridge must reckon with what she does next. Will she save or sacrifice the exiled misfits she has come to care for so deeply?