
Beth Grant
In film, she is best known for her roles as Mother at Farm House in Rain Man (1988), Miss Kettlewell in Child's Play 2 (1990), Helen in Speed (1994), Loretta in To Wong Foo, Thanks for Everything! Julie Newmar (1995), Cora Mae Cobb in A Time To Kill (1996), Kitty Farmer in Donnie Darko (2001), Pageant Official Jenkins in Little Miss Sunshine (2006), Carla Jean's Mother in No Country for Old Men (2007), and Peppy's maid in The Artist (2011). She starred in the films Flatliners, Sordid Lives, Dear Lemon Lima, Bad Words, Jackie (as Lady Bird Johnson), Faults (2014) and Lucky (2017). She later portrayed the recurring role of "The Woman with Hair but No Beard" in Netflix's A Series of Unfortunate Events and the Cat Lady in Hulu's Dollface.
Biography from the Wikipedia article Beth Grant. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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Bob's Burgers
The series follows Bob who runs Bob's Burgers, with the help of his wife and their three kids. Bob has big ideas about burgers, but the rest of the clan falls short on service. Despite the greasy counters and lousy location, the Belchers are determined to make every "Grand Re-Re-Re-opening" a success. Bob's wife, Linda, stands by her man and often does so by bursting into song. Their eldest daughter, 13-year-old Tina has a slight obsession with boys and zombies. Middle child Gene is an aspiring musician with a thirst for life. Louise is the bunny ears-wearing youngest daughter with an off-kilter sense of humor that makes her somewhat of a liability in the kitchen – and with the public.

The Mandalorian
After the stories of Jango and Boba Fett, another warrior emerges in the Star Wars universe. The Mandalorian is set after the fall of the Empire and before the emergence of the First Order. We follow the travails of a lone gunfighter in the outer reaches of the galaxy far from the authority of the New Republic...

Murderbot
Based on Martha Wells' book series The Murderbot Diaries, an action-packed story about self-hacking security android who is horrified by human emotion yet drawn to its vulnerable clients. Murderbot must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe.